Facsimile prints

"I have been working with digital data for many years. In the course of these years, I had an increasing wish to apply this digital image data to a lasting medium -- paper"
Thomas Gorisek

Quality

We achieve results that are the closest possible to the original artwork in terms of colour, choice of printing material and format (1:1) -- setting new standards in art reproduction.
Our digital facsimile printing uses ten ink-colours in order to convey the entire colour spectrum of the original artwork. This is possible because the number of ink-colours we use is much higher than the average four-colour prints in digital and offset printing.

Our service

• reproduction photography embedded in our facsimile-workflow, guarantees the best colour rendition  
• retouching achieves optimal colour range
• test printing is a reliable control method during consultations. We preserve the quality of your original artwork in our prints, by generating continuous test prints throughout the facsimile printing process

Consultations

Before printing, we offer every artist the possibility to participate in our work process. In order to achieve the best results in our facsimile prints, we hold several consultations with the artist, comparing our test prints to the original artwork. This allows us to generate a unique, artist-approved masterprint.

Bespoke framing upon request

• art prints on canvas, stretched onto a canvas frame
• prints mounted on a material of your choice (samples available in our studio)
• prints framed in a light wooden or aluminum frame

Original artwork

• should be available for comparing with test prints
• ideally we generate the image data, i.e. photograph your artwork, in our studio

Reference projects

Facsimile print production, Albertina, Vienna 2011
51 x 38 cm, FineArtRag paper 310g

Facsimile print production, Albertina, Vienna 2011
50 x 70 cm, FineArtRag paper 310g

Digitisation & facsimile print production, Austrian Parliament, Vienna 2002-2011